![]() ![]() If theyre not working, you can access the current month and current week using the. I fear, with Turner Classic Movies, Zaslav is about to weaken another - but I'd love to be proven wrong. The above schedule links are often in flux as TCM redesigns its website. In Zaslav's short time on the job, he's already considerably damaged CNN, one of Turner's more brilliant network ideas. Zaslav also, since becoming CEO, has overseen the rapid, clumsy devaluation of CNN, by making poorly received moves like that Donald Trump town hall. This year we will be celebrating The Winners, where each of the featured films across the 31 days has won an Oscar. As per TCM scheduling provisions, provide TCM daily schedule in bulk date. TCM’s annual 31 Days of Oscar programming returns for its 28th year, kicking off on March 1st with a month-long showcase of films recognized by the Academy. It's presenting only a tepid taste of what TCM offers on its own 24-hour cable service. Programming Schedule for TCM (Turner Classic Movies). What's worse, its highlighted TCM movie offerings are almost all of the more recent, filmed in color, variety. Zaslav's altered that Max streaming service so that, while a link to a TCM sub-menu does appear, it's buried way down in the menu. Discovery, already has turned HBO Max into just Max, which makes no sense - devaluing his own HBO brand. And he's the guy who, since taking over the reins at Warner Bros. But Zaslav already has just shut down his overseas equivalent of Turner Classic Movies in the U.K. Zaslav says the TCM channel is on all the time in his office, too, and he's saying all the right things about valuing the curation of film as well as film itself. Television 5 questions about the new streaming service Max - after a glitchy launch And it presents those films, every one of them, unedited, uninterrupted and without commercials. It explains why some films and performances are so good, and why you should watch and value them. TCM doesn't just present movies, it curates them. It creates a sense of community and enthusiasm among its viewers, which is invaluable. Thanks to its knowledgeable and enthusiastic co-hosts, it puts those films into context. I wrote them about it as it very-much rubbed wrongly against their 'never cut for time or content' philosophy. The print they ran was blind-man-obviously an edited-for-broadcast-TV print with all of the language bleeped out. It presents a wider variety of movies, across film's century-plus history, than any other network or streaming service. I just hope that theyve gotten a new print since the last time Ive watched it on TCM (around 3 years back). The more you love film, the more you're likely to love TCM. Because, to people who really love movies, that's what the news felt like. When the dismissal was announced recently of most of the people who have guided Turner Classic Movies brilliantly for years - the programmers, the producers of special material, even the executives who plan the TCM film festivals and party cruises - many people in Hollywood reacted like there'd been a death in the family. Above, Gene Kelly pictured in 1952 during the filming of Singin' in the Rain - a movie that aired on TCM earlier this month. So, as part of your push to project into the future with even greater relevancy, greenlight my idea and run with it, sooner rather than later.Turner Classic Movies offers a well-curated, wide variety of offerings, spanning more than a century of film history. Strangelove, to name but a few, should be enough to make your viewers’ mouths water to see more and listen to your knowledgeable commentaries. Just looking at the conceptual sequences for Around the World in Eighty Days, Goldfinger, 2001, The Pink Panther, Walk on the Wild Side and Dr. There should be no need to provide any further reasons-the titles speak for themselves. These decorative, narrative and symbolic intros- films within films-are essential, and often as memorable as the films they frame. You have broadcast so many good ones in the course of your regular cinematic offerings, but an entire special on their history, spotlighting the well-known and lesser-known designers, would fulfill your branded mission to curate, contextualize, connect and celebrate film culture. This letter is, instead, a suggestion that a new TCM Originals feature be devoted to film title sequences. I’ve scheduled a review of the graphic elements next week. Congratulations on your new branding program.
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